| 摘要: | 本論文以王惠然具有代表性的四首柳琴作品作為分析主體，分別為：〈柳琴戲牌子曲〉、〈春到沂河〉、〈塔吉克舞曲〉以及〈江月琴聲〉。並兼述王氏對柳琴的貢獻及影響。
內文首先介紹王惠然先生的簡歷以及其改革柳琴的過程。
其次將王氏所有出版的柳琴作品彙整成表格，分為：一、創作曲，二、改編及編曲，三、移植曲三類，依照創作年代依序排列。並對王氏的柳琴作品在數量統計、作品數量與創作年代列表作一交叉比對，並在樂曲形式、風格、樂曲結構及演奏心得等作一討論。
接著分析四首王氏代表性樂曲之創作背景、曲式內容及樂曲的詮釋。〈柳琴戲牌子曲〉是唯一與傳統柳琴戲的戲曲相關聯的一首作品，〈春到沂河〉是王惠然四弦柳琴改革成功後最有影響力的柳琴獨奏曲，〈塔吉克舞曲〉是展現柳琴快速十六分音符演奏技巧的一首樂曲，以及〈江月琴聲〉，則是以一部文學作品為題材所創作的篇幅較長的一首作品。
最後將以上四首樂曲以及王惠然對柳琴的貢獻與影響做一回顧及總結，並提出柳琴未來發展趨勢與展望。
The study mainly analyses for representative Liuqin compositions of Wang Huiran, namely, Paiziqu of Liuqin Opera, Spring of Yi River, Tajik Dance and Melody on a Moonlit River, and also discusses the contribution and influence of Wang onto the Liuqin.
At the beginning, the study introduces the biography of Mr. Wang Huiran and the process of his Liuqin reformation.
Secondly, all the Liuqin compositions published by Wang are aggregated into one table, including 1) creations, 2) recompositions and arrangements, and 3) transplants, following the chronological order. The study also cross-compares Wang's Liuqin compositions based on the quantity statistics and quantity - year list, and discusses about the music form, style, music structure and performing experience.
Furthermore, it analyses four pieces of Wang's major compositions according to the creating background, music form, content and interpretation. Paiziqu of Liuqin Opera is the only composition that correlates the traditional Liuqin opera; Spring of Yi River is the most influential Liuqin solo after Wang Huiran successfully reformed the four-stringed Liuqin; Tajik Dance shows the performing technique of the fast 16th note; and Melody on a Moonlit River is a relatively long composition that was created based on a literary work.
Finally, the four compositions and the contribution and influence of Wang Huiran onto the Liuqin are reviewed and summarized. Moreover, the developing trend and vision of the future are suggested. |
