論曹操與陳宮京劇劇目中戲劇行動及性格統一率

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Title:	論曹操與陳宮京劇劇目中戲劇行動及性格統一率
Authors:	鍾謦宇
Contributors:	戲劇學系
Keywords:	三國志三國志通俗演義曹操陳宮創作學戲劇行動
Date:	2010
Issue Date:	2011-10-27 12:11:35 (UTC+8)
Abstract:	論曹操與陳宮京劇劇目中戲劇行動及性格統一率摘要本文主旨是研討歷史人物曹操與陳宮在文藝創作中的行動事件與人物性格的統一。在方法上依據亞里斯多德《創作學》(Poetics)中創作真實的理論體系。分析主要研究對象為歷史文獻、小說、京劇。即由《三國志》、《三國志注》、《三國志通俗演藝》、《捉放曹》、《戰濮陽》、《白門樓》等創作品中研討這二位人物在創作中的行動事件與人物性格的統一。最後以李寶春改編《曹操與陳宮》作為本文主旨戲劇行動到人物性格的統一。在處理歷史文獻、小說及京劇劇目上，以文本分析法釐清在不同文本中提供哪些行動事件及塑造何種人物性格。希冀以此研究方法，為將來的創作及研究提供新觀點。不是為了推翻或否定任一文本的存在，而是思考在既有的文本中創作一種新的可能。關鍵字：三國志；三國志通俗演義；曹操；陳宮；創作學；戲劇行動 A Study on Unity of Action and Character of Cao Cao and Chen Gong in Beijing Opera Abstract This is a study on unity of action and character of historical personage Cao Cao and Chen Gong in create of literature and art. Research basis by theories of poetic truth in Aristotle’s "Poetics". The main subjects are History, Novel and Beijing Opera. Study on unity of action and character of "Records of Three Kingdoms" , "Records of Three Kingdoms" ‘s Notes, "the Romance of Three Kingdoms" and the Plays of Beijing Opera as a Unity Version. Finally, summarization unity of action and character by Li Bao-Chun’s "Cao Cao and Chen Gong". Analysis different Texts offer what kinds of action and character in History,Novel and Beijing Opera by Text analysis. To wish the viewpoint of study and the way can offer a new viewpoint of create and study in future. To think about possible of new create, not to negate any Version. Key Words：Record of Three Kingdoms；the Romance of Three Kingdoms； Cao Cao ；Chen Gong； Portics； unity of action
Appears in Collections:	[Department of Theatre Arts ] Thesis

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