柴科夫斯基《洛可可主題變奏曲，作品編號三十三》之樂曲分析與演奏詮釋

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Title:	柴科夫斯基《洛可可主題變奏曲，作品編號三十三》之樂曲分析與演奏詮釋
Authors:	邱怡潔
Contributors:	音樂學系
Keywords:	柴科夫斯基洛可可變奏曲費次哈根
Date:	2010
Issue Date:	2011-10-24 16:29:22 (UTC+8)
Abstract:	本論文針對19世紀俄國作曲家柴科夫斯基（PyotrIl'yich Tchaikovsky, 1840-1893）的大提琴作品《洛可可主題變奏曲，作品編號三十三》（Variations on a Rococo Theme, op.33）由德國大提琴家費次哈根（Friedrich Wilhelm Fitzenhagen, 1848-1890）所改編的版本作基本的樂曲分析與演奏詮釋之探討，並歸納整理出原版與費次哈根版本之變奏順序之差異。全文共分為五個章節。第一章為緒論，主要說明本論文之研究動機與目的、研究範圍與研究方法。第二章即為柴科夫斯基個人的生平作簡述，其中包含柴科夫斯基的重要作品與創作風格的論述。第三章則以《洛可可主題變奏曲》之創作背景做整理，並探討費次哈根版本的出現與原版及費次哈根改編版本之變奏順序與音樂內容的比較。第四章針對《洛可可主題變奏曲》進行樂曲基本結構的分析與演奏詮釋之探討。第五章為結論，將本論文的研究結果作綜合性的整理與歸納。 This study focuses on Peter Ilich Tchaikovsky’s cello work Variations on the Rococo Theme Op.33 modified by F.W.Fitzenhagen, . It consists of six chapters. The first chapter is an introduction, which states the motive, purpose, scope and methods of this research. The second chapter focuses on the composer’s life and music style of his essential works. The third chapter expands on the background of the Variations on the Rococo Theme Op.33 and discuss the differences between original version and .Fitzenhagen’s version. The fourth chapter focuses on the music analysis and performance interpretation of the Variations on the Rococo Theme Op.33. The fifth chapter will conclude with the result of my research.
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