敦煌舜子變研究

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Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/19851

Title:	敦煌舜子變研究
Authors:	楊寶蓮
Contributors:	中國文學研究所碩士在職專班
Keywords:	舜舜子舜子變敦煌舜子變舜子傳說
Date:	2010
Issue Date:	2011-10-24 13:30:26 (UTC+8)
Abstract:	「舜」為上古五帝之一，其事迹記載，最早見於《尚書‧堯典》，其後經先秦諸子及《史記》等的傳播，到隋唐時期已成為家喻戶曉的傳說，並被保留在敦煌地區的民間講唱文本之中。敦煌寫本《舜子變》舜的故事雖不難看出仍以《史記》為藍本，但以「口語」形式陳說的表現方式，所述內容與《史記》多所出入，故以敦煌寫本中《舜子變》的故事為題材，探討舜子故事的流變。本論文共分七章，第一章為緒論。第二章從先秦唐前文獻中舜的傳說說起。第三章再談敦煌莫高窟概況、藏經洞的發現、敦煌文物外流、《舜子變》的發現及《舜子變》校本、兼論《孝子傳》。第四章探究《舜子變》與〈舜本紀〉的主要情節及其情節開展上的異同及意義。第五章分析舜、舜父瞽叟及生母、後母、舜弟象及妹、二妻娥皇與女英，藉著描述分析，清楚地看出《舜子變》中舜及其家人的關係，以及他們在家中的角色。第六章則探討《舜子變》的各種詮釋。第七章結論。希望經由分析討論，將敦煌寫本《舜子變》的故事內容與情節，在流傳演化上整理出一條脈絡。 Shun is one of the ancient Five Emperors. The first reference to the records of Shun is “Classic of History: The Canon of Yao”. Later, through the Scholars of Pre-Qin Period and “Records of the Grand Historian”, it became a well-known legend during Sui Dynasty and Tang Dynasty and was conserved in the text of folklore Chiang-Chang literature in Dunhuang area. Although it is not difficult to identify that the story of Shun in Dunhuang manuscript “Shuntzu Bianwen” used “Records of the Grand Historian” as the blueprint, the contents were deviated from it as a result of being presented in oral style. This dissertation thus explores the transition of the story of Shun based on Dunhuang manuscript “Shuntzu Bianwen”. There are seven chapters. The first chapter is introduction. Chapter two depicts the legend of Shun from the documents in Pre-Qin Period and before Tang Dynasty. Chapter three starts with the background of Dunhuang Mogao Caves, the discovery of repository of Buddhist manuscripts and the lost of Dunhuang relics to the discovery of “Shuntzu Bianwen” , the revised edition of “Shuntzu Bianwen” and the discussion about “Commentary of Hsiao-Tzu”. Chapter four investigates the main plots and the differences, similarities and implications of the storylines in both of “Shuntzu Bianwen “and “Annals of Shun”. Chapter five analyzes Shun, father Kusou, mother, stepmother, brother Hsiang, sister and his two wives Ehuang and Nüying. Through characterization, the relationships between Shun and his family and the role each family member played could be elucidated from “Shuntzu Bianwen”. Chapter six discusses different interpretations of “Shuntzu Bianwen”. Chapter seven gives the conclusion. This dissertation aims to deduce a direction to explicate the transitions of the plots and the storylines in Dunhuang manuscript “Shuntzu Bianwen” by means of investigations and discussions.
Appears in Collections:	[Graduate Institute of Chinese Literature] thesis

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