六朝雖然政治黑暗，卻是一個人文與審美意識日益勃興的時代，也是一個詩歌創作首度大放異彩的階段。在此詩歌逐漸獲得歷史地位的過程中，延續了楚辭、兩漢樂府的遊仙文學傳統，以仙境悠遊想像作為內核的遊仙詩，亦逐漸出現在歷史的舞台上，具體承載了詩人對特殊時間性與空間性的深切體驗與想像。本文主要希望從文化研究的角度切入，將作為一種時空美學文本的遊仙詩置入具體的現實脈絡進行探討，除揭露其在現實時空中生發的意義外，亦解析其作為「時空的表徵」所具有的內涵，以作為對六朝整體時空美學進行研究的基礎。
Though the Six Dynasty (六朝) seems as a Political Dark Age, It is really a burgeoning time of Humanistic and Aesthetic Consciousness, and also the first flourishing period of the creation of poetry. Under the process that poetry gradually took its post, Youxian Poems(遊仙詩), inheriting from the Youxian literary tradition represented by Chuci (楚辭) and Han Yuefu (漢樂府), also jumped up into the historical stage. Directly containing the temporary experiences of spatiality as its substantial kernels, Youxian Poems had born the subtle experiences and imaginations that poets thought about contemporary aesthetics of space-time. This paper primarily aims, through the perspective of the cultural study, to put the Youxian Poems back to their concrete contexture of reality, in order to disclose the very meaning of their occurrence in distinguished space-time, and to analyze the contents of them as representation of space-time. Hence, we can provide the whole research field of the space-time aesthetics of the Six Dynasty a firm and solid foundation.
